We’re taking next week off to get settled into our new office space, so we have a rare Saturday review for you to tide you over for a bit. Today’s featured pedal comes to us from Ninevolt Pedals, a company from Japan who we are featuring throughout the next few months, and will be reviewing their entire lineup of pedals. This little black beauty is the I Was A Wolf In The Forest Distortion, and while the pedal is great in...
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Today’s guest review comes to us from Andrew L. – find him on Instagram (@andrew.s.lingrell) and say Hi! Pedalboards can get full quickly. And real estate on a pedal board is valuable. Sometimes however you’ll find yourself wanting many different sounds but you only have limited empty space on your board. What to do, what to do…BUY A SLATE. The Slate is a stereo ‘blank slate’ pedal by Neunaber. Stay...
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Andy Greene Escape Plan Pedals http://www.escapeplanpedals.com How long have you been a musician? How did you get into it in the first place? I’ve played music for pretty much my entire life. I got my first guitar, a miniature steel string acoustic, when I was 5. I learned simplified versions of most of the standard position major chords and a few minor chords and would try to put on concerts for my family. I really got interested in...
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Forrest Whitesides Function f(x) Elk Grove Village, IL www.function-fx.com We have five partners: Dave F., Brian, Dave B., Jerry, and Forrest. Three of us are just outside of Chicago, one guy is a breath away from Nashville, and one is in NJ about 50 miles west of NYC. (Forrest has provided the answers below) How long have you been a musician? How did you get into it in the first place? I first started playing guitar in 1989. Just...
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Jared Scharff SNL Band guitarist Pearl Lion instrumental project Creator of “Unnecessary Shredding” YouTube series www.soundcloud.com/IamPearlLion www.youtube.com/JaredScharff Instagram: @ScharffIsHere Twitter: @ScharffIsHere SnapChat: JaredScharff Facebook: JaredScharffOfficial Facebook: Pearl Lion How long have you been a musician? How did you get into it in the first place? I’ve been in love with music since I was a kid and...
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In this crazy world of effects pedals, Death By Audio has been coming out with rad pedal after rad pedal for some time, and we here at Pedal of the Day enjoy each and every one of their creations that comes our way. Today, we’re going to explore their take on Reverb, a much-loved and oft-used effect that can be beautiful, daring, unpredictable and soothing all at the same time. The Reverberation Machine features a some regular...
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The Memory Man. In all its various forms and models, it has always been regarded as one of the, if not the very, best delay ever produced. With famous guitarists such as The Edge of U2 and Ed O’Brien from Radiohead employing it in their rigs for years, this pedal is no slouch in the echo department, and although some may be more coveted than others, they all sound pretty amazing. Today, we’re going to focus on the Memory...
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Looking for a heavy, bone-crushing, fuzz-riffic distortion pedal? ARE YOU? Well, today’s scorcher might be right up your alley, then. The Headache Harmonic Percolator from Nine of Swords will give you a little bit of hurt, or a lot, depending on what you need or want. Actually sporting great range with just two controls, this is one dirt box that means serious business. A take on the classic circuit made popular by the rare and...
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Mike Gantzer Guitarist for Aqueous Buffalo, NY https://aqueousband.com/ https://www.facebook.com/aqueousband/ How long have you been a musician? How did you get into it in the first place? Incidentally, when I first started playing music was in the 3rd grade with the standard issue recorder they give out to everyone, and i HATED it. haha I picked up trumpet for awhile, but I recall being sort of turned off with the rigidity of the...
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Celestial Effects 22 Kane Industrial Drive Hudson, MA 01749 800-343-4492 sales@celestialeffects.com www.celestialeffects.com How long have you guys been musicians? How did you each get into it in the first place? Dom: Thanks to my dad, who loved music but never played an instrument, my formal musical education came from playing trumpet and coronet from 3rd grade through high school. In high school I played in the concert band, wind...
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John Snyder Electronic Audio Experiments Boston, MA http://www.electronicaudioexperiments.com How long have you been a musician? How did you get into it in the first place? My first instrument was actually the violin, which I began playing at age six. I took private lessons for about twelve years, firmly establishing classical music as a big part of my musical DNA. I listened to all types of music growing up, but I only started...
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While not technically an “effect” pedal, today’s featured piece of gear is essential to certain setups (ours included), especially when running your rig in stereo. The Anole from Red Eft Electronics is both a passive signal splitter and a summing box, allowing for one of the most discrete passive signal routing options in today’s market. Here at Pedal of the Day, we use the Anole for all of our demo videos (except...
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Rob Compa Guitarist for Dopapod Wayne, NJ www.dopapod.com www.facebook.com/dopapod How long have you been a musician? How did you get into it in the first place? I’ve been playing guitar since I was 12, so if my math is correct that’s about 17 years, I think. My Dad always played guitar around the house, so that got me into it initially. Eventually, we played a little guitar in our music class in middle school, playing little riffs...
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Andy Green Andy Green Pedals We are located in Hollywood Florida about a mile from the beach. www.andygreenpedals.com How long have you been a musician? How did you get into it in the first place? I grew up in New York City around all the vintage guitar stores and legendary shops on 48th St. Ken Parker had his shop there and Mike Mathews had Electro Harmonics in the 70’s right there. I got a job in a vintage shop in 1981 and have been...
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The Flanger effect is one of the most recognizable in all the land, and one that generally is not in the forefront of a lot of music these days (or, in the past, either, really). Sort of an oddball effect, the lone kid on the playground that’s kinda weird and is sometimes difficult to approach, flanging is mostly used in very specific settings, and even then only for short bursts or passages. Until now. Joel Korte and the team...
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Having reviewed a number of their pedals, I think it’s safe to say that the crew over at Infanem (Instruments For A New Electric Music) make some of my favorite pedals ever. Wildly inventive and a lot of time out-of-this-world, they take on fuzzes, phasers, delays and more, much to the delight of myself and many others throughout the pedal-playing community. Today’s pedal is the 141G, a tough monster of a fuzz, with fairly...
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It just so happens that I love fuzz pedals, but I ALSO love sandwiches, so today’s pedal celebrates 2 of my favorite things at once! The Big Muff Fuzz has a ridiculous cult following, especially a few choice models from the 1970s, but if you can even find them, they’re pricey and usually need repair and maintenance to keep them alive and going strong. Well, thanks to JHS Pedals and circuitry wizard Jon Cusack, there now...
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When you think of the term “heavy metal” and it’s origins, what name inevitably pops into your head? That’s right, it’s Black Sabbath, and if you said anything else, you’re incorrect. And when you think of this legendary band and how it shaped the sound of heavy music today, who do you mostly associate that with? Nope, it’s not Ozzy, but you’re close: Tony Iommi. His dark tones and heavy...
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Sometimes, you just need a little metal in your life, whether it’s from a CD, a live concert or rocking out in your practice space with a sick, fat, green new pedal added into your sonic arsenal. Today happens to be one of the latter days, and the pedal happens to be from an innovative amplifier and pedal building genius, Andy Fuchs, and Fuchs Audio Technology. Oh yeah, the pedal is the Noxious Distortion. Right away,...
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I want to just say right up front that this pedal from Keeley Electronics oozes quality. It just pours out of it. It’s solid, well bit and the finish is flawless. Very understated and clean looking. You can tell right away that it’s not an imported piece of tin. Built solid and to last.The simple gold stripe with the 1962 off to the side is a very classy way to say it’s what’s on the inside that counts. Now the...
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Sometimes, the simplest pedals can be some of the coolest and most fun, and a lot of times can be used in many different ways. Lots of buttons and knobs and bells and whistles are always fun, but sometimes you just want a pedal that you can only turn on or off, with no controls and virtually nothing to think about. A prime example of the marriage of simplicity and usefulness is today’s wacky signal processor pedal from Fuchs...
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I dig a nice, easy-to-use, not a lot of frills and thrills, good-sounding, good-looking overdrive pedal (don’t we all?). Although a giant list of options and switches can certainly be fun, useful and awesome, sometimes it’s nice to kick back with a guitar, an amp and one nice drive pedal to get a great rock n roll tone without exerting too much effort. That’s definitely what I found in the Aerodynamic Overdrive from...
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The Lumpy’s Tone Shop 7 Series Lemon Drop Overdrive is a fantastic but unusual overdrive. It’s great for what it does but it’s not for everyone. There are so many overdrives out there; it’s very difficult to figure out the difference between each, let alone which to choose. Broadly speaking, the most popular categories of overdrives are (there are definitely other categories but I’ll keep it simple):...
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I had never heard of E.W.S. when I went to review their Brute Drive Distortion, but I’m glad I decided to check out one of their pedals and see what they had going on. Packing a lot into small stompboxes seems to be a cool new thing lately, but some of them are just too small, and a little awkward to use. The Brute Drive is in a perfectly-sized enclosure, that sports not only 2 easy-to-maneuver switches, but a good deal of power...
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The first pedal I heard from Greer Amps was the Burning Goat Overdrive; after that, I knew I had to hear more. Which brings us to this little black beauty: the Tone Smuggler. A jack-of-all-trades overdrive pedal, this guy will excite, perplex and complicate you and your guitar tone, and you wouldn’t want it any other way. Simple, 3-knob control design is great: sometimes, the less to think about, the better. Unfortunately,...
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There are a lot of tremolo pedals floating around these days, and honestly, each of the ones I’ve played have sounded great, in one way or another. So, I suppose (like most pedals) it comes down to personal preference, and what fits with your other gear, as well as your style of playing. I gotta admit, I’m a bit of a sucker for pedal mods – I think they’re fun and exciting ways to make a so-so pedal into...
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What phaser to choose? We’ve all faced this question at one time or another, and with so many choices, it can be a daunting task. As with most any pedal, it all comes down to personal preference, and how the options and sounds of each pedal work with your particular setup and tone. The Compact Faye Sing from Infanem is my current phaser of choice, and one that I think will remain on my board for a long while. There are a few...
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The Electro-Harmonix Small Clone is an extremely well built unique sounding chorus pedal. With only one rate knob and one depth switch, it is very easy to dial in a great chorus sound. This pedal works great with all dirt effects, time based effects, and other modulation effects alike. It is built with time tested Electro-Harmonix quality and styling sure to look as great as it sounds while standing the test of time. The rate knob...
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The Terminal Destructive Fuzz Device is the newest and nastiest fuzz from Akron, Ohio dirt merchants EarthQuaker Devices. And it is ever filthy. Based on a heavily modified JAX design, EQD’s entry into the world of gated, voltage-starved, blown-out, zipper-and-velcro fuzzboxes brings a level of sonic precision and reliability to a segment of the fuzzscape typically dominated by temperamental and complicated pedals in...
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