It’s no secret that Analog.man chief Mike Piera has an ear for tone. His famous King of Tone overdrive can be found on a laundry list of star guitarist pedalboards, and his company builds top-quality offerings in most categories of effect types. I have been particularly drawn to his fuzz pedals; in fact, all of the fuzz on my board bears the Analog.man brand (Astrotone, Dark Peppermint, and Sunbender). Each of the pedals excels at a...
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Based on the 1960’s classic Dan Armstrong Orange Squeeze Compressor, the Analogman Juicer has built a reputation as one of the best compressors on the market today. This little orange box features one knob for overall volume and a bias trim pot inside to adjust the compression. About 8db of gain is available with the factory bias setting. This pedal comes with NOS N25457 transistors, germanium diodes, and JRC45582 On-Amp Chip....
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The Prince Of Tone (POT) is a tube screamer style overdrive “half” of Analogman’s King Of Tone pedal (The King has 2 of these pedals in one housing). The Prince has 3 knobs (Volume, Tone, Drive), an external 3-way toggle switch to switch gain modes (Boost, Overdrive, Distortion), and it has internal DIP switches (D1 = Lo-Mid lift to enhance the tone of the lower strings, and D2 = Turbo switch for more compression and...
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The Analogman Sun Face Fuzz is my first foray into a custom made to order effects pedal. I went for the kitchen sink on this one and got every extra I could (only partial regret was getting a power supply jack as this type of pedal does best with a cheap battery). Can come with a on/off pot switch so you don’t have to unplug the pedal to save battery life (awesome), optional L.E.D. (can drain battery faster). I did not get an...
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The majestic, sought after, hyped up King of Tone from Analogman: in all honesty, it’s all these and more. For those who don’t have the option of cranking an amp to get overdrive this is the best OD available. It seems to fill/fit any amp with its own voicing. Can do clean boost, mid gain OD, and high gain OD. Very dynamic, responsive to pick attack, and cleans up brilliantly. The best version for many versatile purposes...
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Although it’s a pretty rare treat, it’s always fun to have a piece of gear from Analog Man (or is it AnalogMan?) come through the shop, and we’ve got an incredible effects unit for you from them today. The Block Logo Envelope Filter provides you with the perfect amount of funk to get down and dirty, or send you off into Garcia-esque jams filled with estimated prophets, mountain fire and a street that’s sure to...
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Love it or hate it, the Ibanez Tube Screamer, in all its iterations, is a staple in the world of guitar overdrive effects. With its characteristic mid-range boost and bright green enclosure, it works with rock, blues, metal and more, becoming part of many famous guitarists’ signature sounds. Its stock version, however, can leave some wanting more, and that’s where today’s pedal comes in – the TS9 Tube Screamer...
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Rich Good Twentynine Palms, CA The Psychedelic Furs: https://thepsychedelicfurs.com/ Older projects: Kings & Queens: https://open.spotify.com/artist/1V0NT9YLzxd2oXAgwJUS9P?si=rbbgggGWSwKbWOsWFsJGug Mirrors: https://mirrors1974.bandcamp.com/ The Pleased: https://thepleased.com How long have you been a musician? How did you get into it in the first place? It feels like most of my life that I’ve been messing around with...
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Peter Anspach Connecticut Goose goosetheband.com How long have you been a musician? How did you get into it in the first place? My mom would say I’ve always been a musician. She’s a music teacher, so before I could walk, I was being taught to play rhythms on drums and dance. I started playing cello when I was 9, then graduated to the electric guitar when I was 12, which I have been playing seriously ever since. I picked up keyboards...
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Through our Klone Wars videos on YouTube, we pit two Klones against each other and see which one sounds best (in everyone’s vastly different opinion, of course), but what about some other effects that are getting cloned around the world? One of the most sought-after effects, and one that has a years-long wait list, is the King of Tone from Analogman. A dual channel Boost/Drive/Distortion, it has become one of the most popular...
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The folks at Caline Technology have been pumping out some affordable but pretty rad-sounding pedals over the last couple of years, and we’ve been fortunate enough to be able to try a bunch of them. Up next, we have the explosive, bright orange CP-70 High Chief Dual Overdrive, which seeks to conjure up tones reminiscent of the classic (and spendy) King of Tone from Analog Man. With two separate but similar circuits, you can...
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The name Analog Man is right up there with the top dogs in the effects pedals industry, a company that makes reliable, excellent-sounding gear for use by every type of player you can think of. Today’s featured pedal is an excellent example of their work and craftsmanship, and of the sonic prowess they consistently bring to the table. The ARDX20 Dual Analog Delay features two independent echo channels, and a delay warmth that...
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Lance Seymour Atlanta, GA Gear Talk www.gear-talk.com www.youtube.com/GearTalkChannel iTunes: Gear Talk Podcast Instagram @GearTalk Facebook: www.facebook.com/groups/geartalk (one of dozens of Gear Talk groups on FB) How long have you been a musician? How did you get into it in the first place? I have been a musician for over 20 years. Not near professional that long. LoL. I started playing drums and piano. In high school, I moved on...
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Ben Bloom Seattle, WA Polyrhythmics www.polyrhythmics.com We had the honor of chatting with Ben in person when the Polyrythmics played here in Boise during Treefort Music Fest last month – here’s our conversation: [Pedal of the Day] Where are you guys from? [Ben Bloom] Seattle. I grew up in New York, but we all met and live in Seattle. I’ve been there since 2001. [POTD] What got you into music in the first place?...
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Most of us have played some version of the famous Tube Screamer pedal before, no matter what model number or differing shade of green it might be, with varying levels of likability. Some players swear by them, others want to toss them in the trash, but one thing remains constant: they’re well-known and not going anywhere soon. Today’s pedal, the TS-777 Ultra from DC Pedals, focuses on the TS-808, possibly the most...
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Rob McConnell Papadosio Badger ATF papadosio.com asianteacherfactory.bandcamp.com How long have you been a musician? How did you get into it in the first place? I’ve been singing since I can remember, but I’ve been playing bass for 15 years. My dad is a bassist but I wanted to be a guitar player initially. Some friends in high school needed a bass player so I took one of my Dad’s Fenders and here we are. Pretty generic story but...
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Chris Michetti Raq www.facebook.com/raqmusic/ Conspirator www.conspiratorband.com/ Michetti michetti.bandcamp.com/ How long have you been a musician? How did you get into it in the first place? Around thirty years. Was obsessed with drums as a youngster, progressed from there. Who have been some of your major musical influences, past or present? Anyone who plays the guitar incredibly… SRV, Van Halen, Jeff Beck, Trey Anastasio, Chet...
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Luke Miller Denver, CO Lotus www.lotusvibes.com Luke The Knife (DJ/Produce/Remix) soundcloud.com/luketheknife How long have you been a musician? How did you get into it in the first place? I’ve been a professional musician for 12 years. I’ve been a musician for about 20 years. I took piano lessons as a kid, but I consider my true origin as a musician when I started teaching myself guitar freshman year of high school. That’s when my...
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Drew Shirley Switchfoot.com How long have you been a musician? How did you get into it in the first place? My mom made me take piano lessons. I quit when I got into high school and she said “you’ll thank me some day.” She was right. I picked up my older brothers guitar and taught myself a few chords to play in church youth group. After that I discovered Led Zeppelin and went on to write some songs, start a band and...
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Chuck Garvey Cincinnati, OH moe. www.moe.org Ha Ha The Moose @chukg on Twitter moechukg on Instagram How long have you been a musician? How did you get into it in the first place? I started playing instruments when I was young, just hammering stuff out by ear on acoustic guitar and piano, but started lessons for Tenor saxophone when i was in 5th grade. Played sax for 8-9 years and also started to play more acoustic and electric guitar...
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Sean Williamson Milwaukee, WI, USA seanwilliamson.net twitter.com/thesituation Sam Llanas – samllanas.com Velocihamster – velocihamster.net Shonn Hinton & Shotgun – shonnsshotgun.com Who have been some of your major musical influences, past or present? David Gilmour has been a hero of mine since as long as I can remember, and was my inspiration to begin playing lap steel guitar, but like so many others my age, my playing was...
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Rob Compa Guitarist for Dopapod Wayne, NJ www.dopapod.com www.facebook.com/dopapod How long have you been a musician? How did you get into it in the first place? I’ve been playing guitar since I was 12, so if my math is correct that’s about 17 years, I think. My Dad always played guitar around the house, so that got me into it initially. Eventually, we played a little guitar in our music class in middle school, playing little riffs...
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The classic Tube Screamer, in its many early variations, is considered by many guitarists as the top dog in the overdrive department, and that can be evidenced by the numerous attempts to recreate that signature sound by pedal companies across the world. With a surge of pedals focusing on smaller footprints and less pedalboard space, Ibanez decided to follow suit and release the Tube Screamer Mini, a micro version of their overdrive...
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As far as unique pedals are concerned, a small company called Like My Pedals has been coming up with some great gear as of late, mixing colorful enclosure/control knob combinations with tasty circuits and rad tones. Their no-name, no-graphics approach to pedal building is unique as well, but in a mysterious way makes them that much more recognizable, somehow. Today’s pedal from LMP was one I had to name myself, and I honored it...
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Welcome to our second installment here during “Fly Boys Week”! Today’s pedal from Totally Wycked Audio is the FB-02 Overdrive, and boasts hints of a classic overdrive pedal, the TS-808 from Ibanez. Featuring two unique gain stage settings and a heaping of gain on tap, this little pedal speaks big volumes. Tone, Level and Gain knobs make up the first part of the pedal’s controls, much like the FB-01 Distortion...
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Tube Screamers: you love ’em or you hate ’em, so far as I can tell. The stock ones that I’ve played have never really overly impressed me much (although I’ve never had the opportunity to play one of the old classics from the early 80s) – they’re nice overdrives, but nothing too spectacular, in my book. The 808 we’re reviewing today is one of the reissues, but it has been modded by Analog Man,...
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The Analog Man Beano Boost is a great pedal for guitarists looking to boost certain frequencies in their tone. This pedal can drive an amp into distortion, add mid bump for lead work and add fatness to single coil pickups. The Beano Boost specs are as follows: – True bypass stomp switch / Status LED – 9V adaptor jack – Volume knob (Which if purchased as a mod can operate as a push/pull switch for Treble boost)...
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The Sally Drive Classic DC from 6 Degrees FX looks like a race car on your pedalboard. Immediately jumping out at you visually, this thing is stunning to stare at, and then once you turn it on, you’re in for a real treat. The Sally Drive is a take on a classic, the 808 Tube Screamer, but with some beefy tonal properties and modern upgrades to make it a really special pedal. 6 Degrees took the general layout of the 808 and...
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The G2D Cream-Tone is by far my favorite overdrive pedal that I have ever used and I have once owned The Pearl, Sick As, King of Tone, and a few JHS overdrives. This pedal offers so much. Its great for a blues player, P and W music, or rock and role. The pedal is sensitive so by strumming light you get a warm light overdrive but then when you dig into it and you get thick, rich creamy overdrive sound. It also has a few toggle switches...
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Last year when I was reconfiguring my pedalboard for sessions and touring, a friend recommended this pedal to me, and I will say up front, it has become one of my favorite “go to” pedals. The Sweet Honey Overdrive (SHOD) is a light to mid gain overdrive based on the BJF Honey Bee design and is one of the most dynamic and touch sensitive pedals I’ve ever used. Three knobs (Volume, Drive, Focus) where the Focus knob is...
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Geoffrey Teese just makes incredible wahs, hands down. Anyone who has ever played any of the numerous models he has produced over the last couple of decades surely knows what I’m talking about. A while back, we reviewed the RMC5 Wizard Wah, which was an awesome wah altogether, but today we have what a lot of players feel is the crowning jewel Real McCoy Custom wah: the RMC3. One of the absolute most customizable wahs...
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The Fuzz Elements Series of stompboxes from Maxon consist of seven different fuzz pedals, each with their own special characteristics and sounds. Based on the vintage Ampeg Scrambler, this pedal produces a unique octave and fuzz combo tone that provides for some spectacular sounds. The Level knob controls exactly what you think it controls, but the other knobs are where this pedal shines. The Overtone knob produces even-order...
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(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...
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